Mar 31

This Boy’s Life: A Memoir
by Tobias Wolff
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This Boy's Life: A MemoirPublisher: Grove Press
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Intriguing… (2008-04-06)
The memoir is intriguing. Any male who reads this can, at some point, relate to the follies, plunders, and disappointments Wolff encounters during his adolescence. It is explicit and candid making for an interesting read.absorbing and painful with moments of comic relief (2008-02-19)
I’m about 2/3rds through this, and I find it entirely absorbing. Wolff’s writing talent is not in using fancy words or complex forms…just one sentence after another of perfectly pitched prose that feels entirely true and believable. He gains the reader’s trust and empathy early on and never loses them, even though, in my case, I wasn’t much interested in the details of his somewhat sordid and pathetic early years. I keep asking myself this holds my attention, while most memoirs by people I have a lot more in common with don’t. (Not to sound like a snob, but guns, dogs, smoking, drinking, etc. have never been my thing.) I think the reason is that his writing seems entirely transparent, plus you care about him. postscript: I’ve finished it now and towards the end I was increasingly pained by how f**ked up a person Wolff is–or was. It’s troubling and yet the writing is still transparent. You might say he gives us a God’s eye view: if there is a force that knows everything and can look at all our failings, faults and mistakes with simultaneous compassion and dispassion, then I think such a Being would write up Wolff’s early life in the way he himself wrote it. You get a feeling that there is no self-judging or constrictions and nothing to hide: just the truth, the all too human truth.worth the trip (2007-11-05)
A great true story (almost) about Mr.Wolffs childhood. Robert DeNiro did an excellent job as the step-Father in this movie. This is typical of a Father figure who has no self esteem and picks at every little thing that goes wrong. It is never his fault always someone else. Toby has a tough time with growing up without a father and being carted around the country by his Mother who has no roots to tie on to. I see a lot of teenage problems in this movie that are played out and done extremely well. Take the time to watch this movie, you will not be sorry.well written memoir (2007-08-28)
This is a well written and engaging memoir. It ends a bit abruptly, leaving me wondering how the author went on to become the distinguished writer he did. I enjoyed this book. The people and places described did become alive to me. While not a page turner, this was a book I enjoyed quite a bit.Great Read (2007-08-15)
Short (4-5 hours) account of author’s troubled youth. Hard to put down, this book would easily appeal to a wide audience. 

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This Boy's Life: A Memoir

Mar 31

Los Angeles and the Automobile: The Making of the Modern City
by Scott L. Bottles
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Los Angeles and the Automobile: The Making of the Modern CityPublisher: University of California Press
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Wonderful Book!! (2007-01-30)
OK, I have to issue a full disclosure here; the author is my brother. But that said Scott has written a great little book. We grew up in LA and had always heard stories about how the auto companies ruined public transportation in LA in order to sell more cars. Scott decided to check that story out while he was studying for a PhD in history at UCLA. The result is this book. So if you want to know the truth about how LA came to be the automobile centered city it is, read his book. Cheers!How did transporation in LA die? (2007-01-03)
Why did the urban transportation system in Los Angeles die? This book takes a very multifaceted approach and looks beyond the automobile as its cause. The title is a little misleading. The book covers the downfall of public transpiration in California and how the car impacted life in southern California. There is actually very little urban analysis done here but it covers the public policy of early 1900’s very well. You get a sense for how the municipalities and federal government responded in California and see the way in which the auto shaped those policies. The auto was very influential in the downfall of public transportation and I was surprised to see how many auto related interests owned stakes in public transport companies. For those just getting started on urban history this is a good book to start with and he sites the great source on suburbs Crabgrass Frontier (well worth the time to read). Very well written and fun especially if you grew up around LA. 

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Los Angeles and the Automobile: The Making of the Modern City

Mar 31

Your Goats
by Gail Damerow
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Your GoatsPublisher: Storey Publishing, LLC
Salesrank: 70030
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Great instructional series about animals (2008-01-18)
THis whole series of books is wonderful. For the person who already owns the animal or new to be owner, it is a great reference book.Great for the 4Her or just wanting to learn about the critters.Very Useful Book (2007-11-20)
We bought this book after purchasing our first goat. We are very pleased with our purchase. Always referring to the book and finding the answers that we need. We recommend to any and all goats owners. Well worth the money!Great goat info (2007-07-23)
I purchased this for my dad who is a new goat owner. He has read it from cover to cover and uses it as a reference for certain problems he occasionally encounters.

Good reference for anyone new to owning goats!Good basic information (2007-06-08)
I enjoyed this book very much even though I am not a kid. I am a new goat owner and this book makes all the information very plain. It was a very good first read. It is not very in depth and I am reading other books to add to my knowledge, but it is a very good starting place.Very good for starting with goats……. (2007-02-08)
This is a short book but they make the best out of a small package. It gives you most of the info you need. I wish they would have spent more time on Goat breeds and on Meat and Dairy operations but it was mostly aimed at kids. 

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Your Goats

Mar 31

The Executioner (Avon Flare Book)
by Jay Bennett
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The Executioner (Avon Flare Book)Publisher: HarperTeen
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Released: 1982-04-01
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READ IT!!! (2005-01-20)
“The Executioner” is a great book; if you love mysteries you will love this book. You open the book and you start to read it soon you find yourself reading chapter after chapter. I had a hard time putting the book down. A boy named Bruce went out to a party with Raymond. The boys started to drink, but Bruce had a little more then Raymond had. On the way home Bruce went for Raymond’s hat. When Bruce woke up he realized that his life was never going to be the same. Bruce knew that he was the cause of the accident but people had thought that it was Raymond who had been drinking too much. Was his life ever going to be the same? Would people find out the truth? Will he ever tell everyone the truth?

I loved this book and I think that you will too. This book is for mystery lovers, so if you love that type of read then you will like to read this book.

A good mystery (2002-05-29)
This book is about a group of teenagers that are in a car accident and someone is trying to get them back because the driver died and the rest of the passengers lived. This is a really good book if you like mysteries.A good mystery (2002-05-29)
This book is about a group of teenagers that are in a car accident and someone is trying to get them back because the driver died and the rest of the passengers lived. This is a really good book if you like mysteries.The Executioner (2000-06-02)
I am recently reading this book in English class with myteacher Oswaldo. I think this book is great it keeps you on the edgeof your seat. Whenever i finish a chapter i have to read another one because i need to know what is going on in the story. The killer came as a surprise to me! I hope that everyone of you has a chance to read this book at one point in your life because you will never forget it, it is truly a great book!The second worst book I’ve ever read. (2000-01-07)
After Ishmael, this book was the worst book I ever read. It’s about a group of kids that smash into a tree while drunk. That part’s fine. But the rest of the story, involving a murderer known as "The Executioner," is unbelievable. The characters do things that no one would do in real life. The main character Bruce, for example, gets a phone call. He immediately thinks it’s a murderer. Not too realistic. And, the story is too predictable. I knew who the killer was before the second death. These reasons are why I hated this book. 

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The Executioner (Avon Flare Book)

Mar 31

AAA Easy Reading Road Atlas 2008 (Aaa North American Road Atlas (Large Print))
by AAA Publishing
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AAA Easy Reading Road Atlas 2008 (Aaa North American Road Atlas (Large Print))Publisher: AAA
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AAA Easy Reading but of no help! (2007-12-30)
Bought as a gift for my husband who doesn’t want to wear reading glasses while traveling. The wording is large but so many roads are missing that the book is useless. Even the highways from one town to another are missing. You only get the large federal highways. I would NOT recommend buying unless you only go interstate highways.Amazon Dropped the Delivery Ball (2007-10-04)
Ordered from Amazon on 1 Oct.’07, free shipping, slowest delivery time stated was approximately 5-7 days. Checked status on the 4th, hadn’t even shipped, new estimated delivery date was the 19th! We depart on the 15th, way too slow, way too late! Maybe so new an edition they don’t have it in stock? Then they shouldn’t have shown it was in stock! I love Amazon’s supremely efficient website, this is my first disappointing order. Sorry Jeff, I guess no one is perfect, you come close though! 

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AAA Easy Reading Road Atlas 2008 (Aaa North American Road Atlas (Large Print))

Mar 31

A Knight of the Word (The Word and the Void Trilogy, Book 2)
by Terry Brooks
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A Knight of the Word (The Word and the Void Trilogy, Book 2)Publisher: Del Rey
Salesrank: 14337
Released: 1999-06-28
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Is there an escape from fate? Or are we trapped by destiny? (2008-03-12)
Fate and destiny intertwine to trap John Ross in this, the second book of the Word and the Void trilogy. Devastated by his failure to completely prevent a tragedy at a grammar school, John decides he is not able to continue as a Knight of the Word and stops. Stops using his magic, stops following his nightmarish dreams of the future … and eventually - seemingly - the dreams go away, eventually his link to the magic appears to go away. He is still crippled, he still requires his black staff - the token of his Knighthood - in order to walk, but he no longer utilizes it for anything else but a walking staff. He meets the woman of his dreams - a stunningly beautiful woman named Stefanie Winslow - and together they move to Seattle and begin to work for a man called Simon Lawrence - a man of extraordinary vision who works to help homeless women and children - and a man who, according to the only dream John still has, John is fated to kill.

But the Word is not so willing to give John up; despite the fact that he has renounced his place as a Knight, he still holds the magic of the Word and if a demon can twist that magic to the use of the Void, that would be a giant blow struck in the war against the Word. Nest is contacted by O’olish Amaneh - the last of the Sinnissippi - and asked to go and try to get John to take up his part as a Knight of the Word, to try to get him to believe that he is up close and personal with a demon, because one is already close to turning him to the Void’s purposes.

Although the identity of the demon didn’t come as much of a surprise to me - having figured it out fairly early - it was nonetheless revealed in a rather startling manner. Watching John Ross go through what he did in this book was painful in the extreme, because it is easy to understand the isolation and loneliness that he underwent as a Knight of the Word as compared to the happy life he had built for himself in Seattle, where he had a job he loved, a girlfriend he loved and a thriving social network. To watch all that come apart under the machinations of a demon AND the Word - it was quite painful. And to watch his determination to make things right anyway was somewhat awe-inspiring.

Terry Brooks can break your heart over and over and you still keep coming back because his characters speak to you in so many ways. This story was about growing up, in more ways than one. I highly recommend it.A Knight of the Word (2008-03-04)
I am a huge Terry Brooks fan. This book does not disappoint. I have introduced my grandson to Terry Brooks, and he enjoyed this book as much as I did.Different from “Running” but still enjoyable (2007-12-18)
Nest Freemark and John Ross return in the second installment of the series called “The Word and Void Trilogy.” John Ross has forsaken his duties as a Knight of the Word and the Lady has assigned Nest to convince him to get his act back together.

While I found the story entertaining, I did not find it as gripping as the first book “Running with the Demon.” Not to say I didn’t like it, but we are talking apples and oranges here. Brooks slows down the pace considerably here and the characters do much more navel gazing. Perhaps the contrast in settings affects the story; while “Running with the Demon” was set in a small town, “A Knight of the Word” is set in the city. I did enjoy the chase scene between a demon and one of the characters . . . pretty intense.

If you liked “Running with the Demon” you’ll like “A Knight of the Word” but just expect something different. Sometimes change is good.Not as good as Running with the Demon (2007-11-30)
I agree with most reviewers that this is not nearly as good as Running with the Demon, but I’m still giving it 4 stars because it was really fun to read! Yeah, the story is a bit soap opera-ish and predictable (I knew right away who the demon was, why the Shelter was set on fire, etc.) Probably what made this book very worthwhile is, once again, the presence of Nest. She is just the coolest character I’ve ever read in a novel! And, poor John Ross, can’t he ever get a break?Mediocre and guilty of the no-twist twist sin (2007-10-08)
This is the second book in the Word/Void trilogy, which reads like a quasi-spiritualist Judeo-Christian moralization of modern society. That sounds like a criticism, but actually I find it pretty compelling. The first book of the series, in fact, sets these issues out fairly succinctly and interestingly but without too much preachiness, verbosity, or judgmentalism. I haven’t read the third book in the series yet but I imagine it will continue, as this one did, in the interesting concept he’s come up with that the modern world is going to ruin because people just aren’t nice enough (he may be right, but I doubt it).

That preamble made, the literary merits of this book left a lot to be desired. First of all, there is the considerable problem, which other reviewers have touched on, that there isn’t much action. In fact, except for a tragedy scene in the beginning told in retrospect, and a couple brief if intense hunt scenes, there is no action whatsoever until the last dozen pages.

Second, and this is tied with the first, this book apparently aims to be a mystery or thriller. A who-done-it that focuses not on “who is the murderer” but instead just “who is the bad guy” (which in this series’ mythology, means who is the “demon”). That can be great if you don’t know who the demon is, but it was painfully, ludicrously obvious what the twist was almost from the first chapter of the book, and with the rest of the story alternating between giving even more credence to that twist and trying to throw the reader off the scent (somewhat ham-handedly), it made for boring reading.

If you are going to have a big surprise twist at the end, and want to build up to it, you either need (a) a lot of other action going on or (b) so many characters and possibilities that the reader is always in doubt about the twist until it’s revealed. Neither was true here. Made for a tough read. It’s not a perfect analogy, but imagine if you knew all along that Verbel was going to be revealed as Kaiser Sose, and the entire rest of the Usual Suspects was just talking with no action…you might tend to become bored, eh?

I also have to say that Brooks’ description of magical battles has atrophied since Shannara. I know this is “modern” times, but the mild descriptions of how the protaginists’ magic work is similar enough to how elf stones work that I felt robbed of some of the excitement in the earlier (later in time) books where there was much better excitement in the magical battles. Sorry, but sort of turning into a ghost dog is not exactly an overwhelming volcano of power and excitement.

In any event, he’s a fine writer. I enjoyed the book overall, and the series moreso, but he either needs to stay away from mysteries or he needs to do a better job hiding the ball if he expects the whole paradigm of the book to be a thriller. On the whole, mediocre. I’m hopeful for the next one. 

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A Knight of the Word (The Word and the Void Trilogy, Book 2)

Mar 31

The War of the World
by Niall Ferguson
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The War of the WorldPublisher: Penguin (Non-Classics)
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Re-interpret C20th violence by Understanding the Causes (2008-02-16)
When history resorts to simple explanations to describe complex circumstances, it makes repeating the mistakes of the past more inevitable, and worthy lessons harder to learn. That is why Niall Ferguson book, The World of the War - Twentieth-Century Conflict and the Descent of the West, is so compelling. Niall Ferguson addresses with detailed analysis the crucial passages of history: how did Europe descend so precipitously in war in 1914? Why did Germany support Hitler? What was worse , British appeasement of Hitler or the lack of contingency planning? Was there a case for preemptive war in 1938? How could Japan and Germany look invincible in 1942 and lose the war? How important was Britain’s contributions? What circumstances lead to realism in American foreign policy? Why has genocide been repeated over and over again? A fascinating and important account of the Twentieth Century.In the Shadows of History: Ferguson attempts to excuse his hatemongering (2008-01-29)
On January 1, 1958 the Treaty of Rome came into force. The treaty itself joined three European institutions, the ECSC, the EEC and Euroatom into a form of institutional agreement. This institutional agreement, combined with the Bretton Woods economic system and the rights delineated in the Atlantic Charter, hoped to respond to World Wars I & II. World Wars I & II had destroyed Europe and in the 45 years prior to the Treaty of Rome, Europe had known 12 years of total war. The Treaty of Rome was a move away from the competing policies: economically, strategically and politically.

Ferguson’s work covers this previous period of national rivalry on the European continent. Despite its universal sounding name, The War of the World, it really covers the European theater of these two wars and the Inter-bellum. Ferguson determines, in classic realist fashion, this period is merely the highest form of Thucydidesan raw power and Clausewitzian strategic competition mixed with ethnic hatreds in Europe. Ferguson, also, attempts to anticipate counters of his thesis from both Institutional and Constructivist critiques. While the work is well written, there are many holes in his thesis, even with the anticipation of critiques and his own racism cannot but permiate through the work.

Institutionally, Ferguson dismisses the interwar period as many realist do. The League of Nations could not possible solve the problems of the Inter-bellum since it was weak, missing the two most dynamic powers from its deliberations, and since it was basically a Wilsonian pipe-dream. While he is correct that the ambitious League of Nations had many flaws, the real problems stemmed from the actors at the time not fully understanding how International Organizations should work. (This is not really any fault of the statemen of that era, since most of what we know now are because of their trial and era!) Ferguson, therefore, ignores the complexities of international politics and cooperation to use the considerably easier realist perspective - even if its does not account for everything.

Another thing it does not account for is the issue of internal politics and the social constructs which both national politics and worldviews build. In this constructivist approach, Britain will never fight on the side of the continental hegemon, since there is an overriding social belief in Britain that the continent should be divided. Meanwhile, Germans who believe themselves to be the natural leaders of Europe will attempt to bring everyone into their thinking - even by arms. Add to the top of this a rabid anti-semitism and the belief in a master race and you may have problems with Nazis!

The anit-semetism of the Nazis is dealt with especially interestingly in this work. Ferguson does not go out of his way to condemn it really. In fact, he seems to try to excuse it, like conservatives in the US try to excuse slavery today. Ferguson builds a model whereby Nazi anti-semetism is only a capstone to what already existed in Europe. His detailed work on progroms in Poland and Russia/Soviet Union attempt to make it appear that “oh, that’s just what people believed back then.”

He furthers this illiberal viewpoint later in the book. He continues with a “Barbarians at the Gates” mentality. The West is losing ground! And, now there are millions of the unwashed threatening Europe. Not only does he attempt to promote a new Yellow Peril at the end. But also he sees those wishing to imigrate to Europe as a threat. One sees him like U.B. Phillips trying to defend the white people of Europe from this decline!

Despite my major problems with its thesis and politics, I found it a well written, quick read. Nobody can deny Ferguson is a gifted writer, despite being his overtly political views of history from the hatemongering New Right that is sweeping Europe and Asia. His two prior works have promoted the idea that white people can keep “The Browns” in line through imperial ambition: Empire supported the thesis that the British Empire was actually good for the ruled people; and, Collossus argued that the United States should now step up and keep the Brown peoples of the world in-line. His hammer of White imperialism makes every problem look like Brown nails.

Great book on World War 2… (2008-01-24)
…but that’s about it.

The book does start at the year 1900, and does give a good section on the years from 1900-1939, as in why world war two came about, why it was global in scope and incredibly bloody. The concept of wars occurring during years of a country’s robust growth economically (requiring a country to expand its natural resources) as well as years of economic desperation is intriguing. The section on world war two itself is expansive and excellent, with Ferguson sparing no one with criticism, even the Allies.

The downside - this book is not as advertised. It is essentially about world war 2, not twentieth century conflict and combat. The discussion of the Korea war happens briefly, at page 600, in the epilogue! World war one gets a little better treatment, but it obvious where the author’s expertise lies. The author fails to defend his thesis in the introduction, about the bloodiness of the twentieth century. It’s only the bloodiness of the second world war. If he wants to make expansive comments about the twentieth century and the decline of the west, he needs to back it up with more argument and more pages.

So I recommend reading this book, as a world war 2 book only.A brilliant review of mankind’s most difficult century (2008-01-20)
The best longitudinal view of the history of the past century that I have read. Gave me new contexts for many of the events and conflicts I have hitherto seen in isolation. Ferguson is not afraid of giving his personal angle and his own conclusions, which makes the book a fascinating read, but also one that requires critical thinking by the reader. A must for anyone who would like to understand recent world history better.Fog of War (2008-01-13)
The War of the World, Niall Ferguson’s attempt to identify the macrotrends of the twentieth century and divine where humanity is headed next, has all the characteristics of the typical Niall Ferguson tome: sweeping scope, counterintuitive hypotheses to explain world-shaking events, great narrative drive, and detail drawn from a huge and eclectic mix of sources that render how events were experienced and interpreted by individuals. Compared to Ferguson’s prior oeuvre, however, the book is oddly formless - its theses weakly supported and at times almost forgotten in the welter of narrative detail.

Through hundreds of pages detailing mass slaughter by the Nazis, Soviets, Japanese and allied powers, the central thesis - the steady decline of the West throughout the century - seems almost a non sequitur. Of course the Western powers had less absolute governmental control and economic dominance in 2000 than in 1900 - but that would have been true even if the 20th century had unfolded in Utopian harmony and unchecked economic growth. Indeed, those Westerners who scared up the specter of the “yellow peril” in the early 1900s would probably have been surprised by the extent of American and European economic dominance, not to mention American military dominance, a century later.

Ferguson’s second main thesis - that ethnic conflict, particularly in heterogeneous regions of multi-ethnic empires, was the main trigger of twentieth century bloodletting - is not really supported. The Baltics may have lit the fuse to World War I, but the ensuing death struggle of the great powers was not primarily about ethnicity. The Soviet Union exercised brutal imperial control over a “graveyard of nations” and peoples, but “the race meme” was not the prime driver of Soviet brutality. The Germans, who made a depraved religion of race, were a relatively homogeneous people; the Japanese, committed mass murder in China and much of the rest of Asia, were probably the most homogeneous large nation on earth. “The race meme” was certainly a major contributor to twentieth century violence, and the breakup of decaying empires fueled ethnic conflict. But the worst ethnic conflict was not driven by powers emerging from decayed empires.

A third thesis - that the ethnic powder keg was generally touched off in periods of economic volatility - is interesting, but Ferguson doesn’t invest much effort in proving it. What seems sloppiest is Ferguson’s overall framing of 20th century violence. His delimiting of a “50 Years War” from 1903-1953 amounts to little more than a list of conflicts within that period. His claim that there was scarcely any diminution in violence in the century’s second half seems preposterous - he simply rattles off a long series of dreadful conflicts without any effort to compare casualty totals. Indeed, his evidence supporting the claim that the twentieth century was the most violent ever is relegated to an appendix. This lack of statistical analysis is surprising for a scholar whose roots are in economic history and who generally amasses a mountain of data in support of often startling, revisionist claims.

The War of the World exhausts and troubles the reader by the sheer weight and depth of its chronicle of `what man has done to man.’ By reminding us of the sudden descent into violence following the long period of relative peace and globalization leading up to World War I, it leaves one haunted by the sense that the next cataclysm may be just around the corner. Ferguson takes a passing swipe at Fukuyama’s The End of History, which posits that humanity as a while is trending toward democratic capitalism. But Ferguson does not really demonstrate that the West has `declined’ in any meaningful or undesirable sense, or that nations and international institutions have learned nothing about avoiding and containing outbreaks of violence, or that democracy is not spreading and worldwide violence diminishing.

 

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The War of the World

Mar 31

Adobe InDesign CS3 Classroom in a Book
by Adobe Creative Team
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Adobe InDesign CS3 Classroom in a BookPublisher: Adobe Press
Salesrank: 4323
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Customer Reviews:
Class Room In A Book…Indeed! (2007-11-19)
I’ve used “class room in a book” for lots of different softwares that I’ve learned over the years. I’ve always enjoyed using the format to learn a software. I only wish they would come up with “class 2″, “class 3″, etc. for the next stage of learning. It’s a good book and worth it’s cost for sure! Only be sure that you need “basic” understanding of whatever course you are buying because that’s what these books deliver.Good for the complete beginner (2007-10-19)
I’m rating this book a bit higher than the other reviewers because it is fitting my needs. I have no previous experience with PageMaker and only the most fragile grasp of desktop publishing principles. Therefore, I need a book that says “This is the text tool. Click on the text tool. This is how you view panels. Click on the panel.” Even InDesign for Dummies is too advanced for me since it assumes the user has some experience with Adobe products.

So this book does exactly what I need it to do — it provides lessons made up of simple bits of info and hands-on step-by-step instruction.Guided tour, not tutorial (2007-09-24)
I’m reviewing the second printing (published mid-July 2007), which has many fewer errors than the first printing. There were only two or three spots where I couldn’t get the result in the book, and I wasn’t sure if that was my fault or the book’s.

InDesign is conceptually a simple program: you collect all your content, plop it down on pages, and drag it around until you are happy with the result. The complication comes from the zillions of settings and treatments for the objects. This book is less a tutorial than a guided tour showing you how to use some of these settings.

One weakness of the book is that it deals primarily with very short documents (one to a few pages), and even on the multipage documents the exercises usually only work on one page in isolation. For this kind of document I would usually use Adobe Illustrator and not a layout program. The place where you really need layout is for multipage documents with a lot of text that flows from page to page (magazine articles, newsletters), and with book-length documents where organizing the work and using stylesheets becomes critical. Chapter 11 deals with a book-length document, although it doesn’t deal with these issues.

A related weakness is that the focus is on specific features and not the overall look. The book is tactical rather than strategic. You can argue that strategy is a designer issue and not part of learning the program, but I would like to have seen more emphasis on planning the document and setting up styles. In most cases you start out with an existing layout and start populating it with content, and never deal with the overall look of the document.

The CD-ROM includes the lesson materials, and a few short video tutorials from lynda dot com. One minor gripe is that, unlike other CIB books, this one does not give the estimated times for each lesson.

Overall I felt the book was lightweight. I certainly did not get the in-depth knowledge that I got from working through the Photoshop CIB book. However, it does give you a good survey of the program’s capabilities, and is well-organized and well-written.Poor work from Adobe (2007-08-11)
I purchased this book to learn Indesign CS3. I should say that I know Photoshop quite well so I have a good feel for many of the basics of the program.

I tossed up whether to buy this book or another quite good book on the same topic. I went with this book as I thought that as the author was Adobe, it would be the better of the two.

How wrong I was. This book is very poor. It is full of mistakes that waste so much of your time trying to determine if is you that have made a mistake in following the instructions, or if the book is at fault. After many wasted hours I can confirm that the book is full of errors. Adobe must have quickly pulled this book together from a previous version (CS2) without checking whether it is still relevant or correct for CS3.

There are much better books out there. I am going back to buy that other book. This book is going in the trash!CD Missing Lesson 11 (2007-07-25)
I can ignore the grammatical errors and even the mistakes. However, the CD that comes with the book is missing Lesson 11 on Long Documents. I sent back the first one I purchased to the vendor and received a new book - and it is still missing Lesson 11. 

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Adobe InDesign CS3 Classroom in a Book

Mar 31

Dirty Little Drawings: The Queer Men’s Erotic Art Workshop
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Dirty Little Drawings: The Queer Men's Erotic Art WorkshopPublisher: Bruno Gmunder Verlag Gmbh
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Customer Reviews:
Men, Men, Men… (2008-02-26)
When purchasing the book, I was not aware of the background of the process of how the artwork was created for a show. Turning the pages of the book is like walking through a gallery. A small portable gallery of Male Erotic Art.An Amazing Collection at an Amazing Value (2008-01-04)
Aficionados of male figurative art come in many shapes and sizes; Dirty Littly Drawings will appeal to all of them. For those tired of the same old insipid, slick, hackneyed photo spreads in the stroke mags, Dirty Little Drawings is a welcome departure: this little book will kick-start your libido like a juiced-up set of jumper cables. Even the looser, sketchier, more abstract pieces radiate an intense sexuality, the boldness of their lines and headiness of their colours imbuing the images with more sensuality than most photography can muster. Whether your fascination is for fine art in general, super-charged erotic imagery, or something to “hang over the sofa,” this book has something for you.

One of the greatest assets of this collection is its enormous variety of subject matter, styles, and media. In its 320 pages, Dirty Little Drawings houses a stable of 291 images, created by 72 artists, ranging from delicate, slender, coming-of-age youths to improbably muscled and impossibly endowed muscle gods to down-and-dirty leather daddies and their slaves. Dirty Little Drawings also pulls no punches in the action its images depict, with vivid representations of just about every scene imaginable (the only acts missing are those of the yellow- and brown-stripe variety). Providing a point of context, some of the drawings even depict the models in situ, giving the viewer a privileged glimpse into both the Queer Men’s Erotic Art Workshop’s clandestine, underground lair and the process itself.

In terms of artistic styles, DLD contains a wide range: Max Ernst-ish pen-and-ink caricatures, Old Master-style charcoal and pencil studies, delicate French Academie/Prud’hon-like compositions, Fauvist crayon abstractions, Expressionist/Egon Schiele-inspired watercolours, and photorealistic coloured pencil pieces. Some funky images decorated with metallic ink scrawls even call to mind Keith Haring’s work. Although very few of the pieces could be considered masterworks (limited primarily by their requisite small size), the general level of craftsmanship is high, and many of the artists are clearly at the top of their game here.

The majority of the pieces are done on coloured armatures, from delicately hued pastel papers to Bristol board laden with op art-intense acrylics, but the black-and-white images are no less striking. Tai Lin, the artist whose work graces the cover, achieves an incredibly striking, luminescent effect with an extremely limited chromatic palette of pastels on black paper, while Enrico Gomez creates works of sublime sensuality and ethereal vagueness using lines of graphite and charcoal smudges nibbled away by kneaded eraser on cream-coloured Strathmore paper. Other artists, such as Chuck Nitzberg, achieve an extraordinary effect by combing the two methods, working for the most part monochromatically, with a few accents of colour - bright orange cock heads, blazing-red nipples, etc. - to highlight the points of interest. Although oil paint as a medium is absent (canvas loaded with oil paint being too heavy for the exhibition’s hanging requirements), some of the pastel images do attain a painterly quality in their play and blending of colour and looseness of strokes.

My only complaints would be that Tai Lin’s hauntingly arresting portrait, which graces the cover, is not reproduced anywhere within the book - on the cover, it’s obscured by the title and list of artists’ names. It also would have been nice if the artists’ names were reprinted in list form inside the book as well, along with contact information for purchasing and commissioning purposes - one can only get a complete listing of the artists by combing through the index pages in the back. Also, the lack of page numbers or artist names beneath the full-size images makes it difficult to find one’s favourite pieces. While it is arguably preferable to have the reproductions cover the entire page as they do here, thereby increasing their immediacy, it does make it difficult to identify the pieces (an index at the back of the book reprints each as a thumbnail in the order it appears in the book, along with the artist’s name, but since the pages are not numbered, the viewer can only approximate where in the book each piece appears based on its order in the index). Finally, while Dirty Little Drawings was clearly created with exceptionally high production values, with a heavy, rock-solid cover and thick, glossy paper stock, the slight sheen on the pages makes it a little difficult to get a clear view of the artwork - one has to tilt the book just so to minimize the glare.

Despite these minor flaws, though, Dirty Little Drawings is an incredibly eye- (and zipper-) opening treasure trove of newcomers to and icons in the gay erotic art scene that perfectly captures the phenomenon that is the Queer Men’s Erotic Art Workshop. In purely sensual terms, the book has a satisfying heft to it, the relatively small size makes it feel personal, private, even covetable, the cover and pages have a sumptuous texture (almost naughty, like satin sheets), and the quality of construction and artwork contained therein make it feel like it’s worth a good deal more than Amazon is currently charging for it. It makes a great gift…just make sure you get an extra copy to keep for yourself!

(Note: To keep this review short, I have appended it in the Comments section with detailed information about the physical aspects of the book, as well as a brief history of the Queer Men’s Erotic Art Workshop and background information on the exhibit from which the book’s images were drawn - hope it’s of use!)A magnificent book to place on your bedroom end table… (2008-01-03)
Don’t let the compact dimensions of this erotic art book fool you. Inside, each individual page is filled with a stunning slice of erotic imagery. The whole concept of this book is wonderful and exciting in itself…when you look at this art, you can just imagine the atmosphere in the studio where real men posed in these explicit positions, surrounded by a group of artists who splashed across a page their own interpretations of the fantasies frozen before them.A Surprisingly Rich Treasure Trove (2007-12-10)
The book DIRTY LITTLE DRAWINGS is an artwork in itself. Measuring about 6 1/2″ by 6 1/2″ it not only contains some superb art but it also serves as a catalogue for a project from a unique event that began in December 2000. Harvey Redding hired an adventuresome model and posed for a group of fourteen artists, each of whom sketched and drew from the model’s input ‘to expand the boundaries of academic nude figure drawing,’ - ‘full out, rock hard, unapologetic, sexual posing: nothing held back, nothing sacred.’ The result was a collection of gay erotic art that became an exhibition of art works identically sized and priced. The exhibition and sale was so successful that there have been subsequent shows creating a collectors’ dream and a new New York art scene.

This book may be small in size, but the artworks are vigorous, erotically charged and visually stunning. They range from simple head portraits to S and M influenced scenes, sex acts, and coupling and solitary pleasures. The variety of art types ranges form the hastily sketched pencil or crayon outline to fastidiously detailed drawings. The quality of the works may vary in degree of craftsmanship, but this selection of richly colorful works has one thing in common: the works are full of sensual energy.

The book and the concept are the work of Harvey Redding, Robert W. Richards, and Rob Hugh Rosen, the three directors of the Queer Men’s Erotic Art Workshop in New York. The book is produced with finesse by Bruno Gmunder Verlag Gmbh. This is a fine art collection that started out to be a reaction to academic art. It is a superb little book! Grady Harp, December 07 

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Dirty Little Drawings: The Queer Men's Erotic Art Workshop

Mar 31

The Upside of Down: Catastrophe, Creativity, and the Renewal of Civilization
by Thomas Homer-Dixon
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The Upside of Down: Catastrophe, Creativity, and the Renewal of CivilizationPublisher: Island Press
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Spectacular Synthesis, Signals Emergence of Collective Intelligence (2008-02-25)
I learned a great deal more about this author when two chapters in a book I just published, Collective Intelligence: Creating a Prosperous World at Peace featured his thinking: an interview of him by Hassan Masum; and his interview of the Rt Hon Paul Martin on the important topic of the Internet and democracy.

Consequently, I may place more value on this book than some of the other reviewers, but I choose to give it a solid five stars. In combination with his earlier book The Ingenuity Gap: Facing the Economic, Environmental, and Other Challenges of an Increasingly Complex and Unpredictable Future, and the work of many, many people on emergent collective, peace, commercial, gift, cultural, and earth intelligence, all subsets of the emerging discipline of public intellligence (self-governance founded on full access to all information to produce reality-based balanced budgets), I regard the author as one of a handful of individuals exploring the possibilities of cognitive collective integral consciousness.

I have a note: superb single best overview. I cannot list all the books I would like, being limited to ten links, the ones I do are a token. See my 1100+ other reviews and my many lists for a more comprehensive stroll through the relevant literatures.

Highlights from my notes:

+ Five stresses (population, energy, environmental, climate, economic)

+ I have a note, what about mental, cultural, physical stress (e.g. dramatic increases in mental illness, blind fundamentalism, and obesity).

+ See the image on predicting revolution, the author observes that revolutions come from synchronous failures with negative synergy.

+ Connectivity and speed are multipliers, and I am reminded that virtually all US SCADA (Supervisory Control And Data Acquisition) systems in the US are connected to the Internet and hackable (meanwhile, the Chinese have figured how to hack into systems not connected to the Internet, but drawing electric power from the open grid).

+ Synchronous failures get worse when they jump system boundaries and created frayed less resilient networks.

+ He write of the thermodynamics of empire and the declining return on investment from energy discovery and exploitation.

+ He writes of migration getting much much worse in the future, which confirms my own view that border control is not the answer, stabilization & reconstruction of the source countries is the longer-term sustainable answer.

+ He credits George Soros with having the first intuitive understanding of the asymmetries of wealth in relation to destabilization of the world.

+ He observes that we have transformed and degrades half the Earth’s land surface, and is particularly concerned with the washing away of entire nations of topsoil (compounded by agriculture that does not do deep-root farming).

+ As the book winds to a conclusion, the author discusses massive denial and the loss of resilience that gets worse each day.

+ “Non-extremists have a formidable ‘collective action problem.’”

+ Need alternative values (I am reminded that the literature points out just two sustainable approaches to agriculture and community: the Amish and the Cuban). He notes that fundamentalists are especially ill-equipped by their myopia to be adaptive or resilient.

+ He covers the polarization between rich and poor. While other books listed below are more trenchant, the author has done a superb job of integrating historical, economic, social, and cultural works. This is a very fine book.

+ He adds a useful snippet on Cultural Intelligence, distinguishing between utilitarian values (likes and dislikes), moral values (fairness and justice), and existential values (significance and meaning).

+ Violence is discusses as stemming from motivation, opportunity, and framing–all of which can be found in the eight stages of genocide as defined by Dr. Greg Stanton of Genocide Watch.

+ He ends the book with praise of the open source model (search from my Gnomedex 2007 keytone, “Open Everything”) and concludes that the Internet is not living up to its potential as a platform for large-scale problem solving. I agree, and I condemn Google for choosing to become an illicit vacuum cleaner of other people’s information, rather than an open source platform for allowing every person to be a collector, processor, analyst, producer, and consumer of public intelligence (search for my book review of “Google 2.o: The Calculating Predator.” IBM ando the Google partners are literally BLIND and refusing to assimilate documented early warnings on how Google is preparing to scorch banking, communications, data storage, entertainment, and publishing, all without respect for privacy or copyright, and without regulatory oversight.

I list below eight books I recommend for reading as an expansion of this elegant synthesis. At Earth Intelligence Network you can find a table of 1000+ books I have reviewed, sortable by threat, policy, or challenger.

A More Secure World: Our Shared Responsibility–Report of the Secretary-General’s High-level Panel on Threats, Challenges and Change

The Unconquerable World: Power, Nonviolence, and the Will of the People

A Power Governments Cannot Suppress

The New Craft of Intelligence: Personal, Public, & Political–Citizen’s Action Handbook for Fighting Terrorism, Genocide, Disease, Toxic Bombs, & Corruption

Group Genius: The Creative Power of Collaboration

Five Minds for the Future

The Bottom Billion: Why the Poorest Countries are Failing and What Can Be Done About It

The Fortune at the Bottom of the Pyramid: Eradicating Poverty Through Profits (Wharton School Publishing Paperbacks)Eye opening read. (2007-11-11)
without repeating points well-made by the other reviewers here, this book was an eye opener for me, and laid out clearly many things that have been concerning me for some time, but which I have mostly seen only intuitively; Homer-Dixon quantifies and qualifies many of these concerns.

My main problem with this book, and the reason I don’t give it five stars, is that Homer-Dixon’s grasp of history is Eurocentric and fairly shallow, so using the Roman empire as his only major comparison point is not presenting the historical picture at all well; he should have drawn on Persian history, especially the Sassanid empire, India and China, as a wider context would have shown that the Romans were at least as much borrowers as innovators, and when they ran out of ideas to borrow it harmed their solution-finding ability immensely.

The “Elephant in the room” that Homer-Dixon and others ignore (and he never squarely addresses it in this book) is that our biosphere probably cannot support the current number of humans indefinitely, let alone the expected population growth to come, even if the effects of looming resource shortages and global warming are ignored. In the event of a major breakdown of global networks and fragmenting of societies as they look out for themselves first and last, starvation on an enormous scale looms. This is a problem that also needs to be addressed, but perhaps has no socially acceptable solution.

Despite these minor reservations, I would recommend this book as a starting point that pulls together ideas from many disciplines, leading into deeper research from specialists in the fields Homer-Dixon touches on.Eloquent and timely (2007-09-04)
In this pathbreaking work Thomas Homer-Dixon illustrates the complex and tenuous relations between the human ecology and the natural systems upon which society, markets, and structures of governance are based. He warns that human populations, and their high rates of resource consumption, are rapidly outstripping the regenerative capacity of the planet. A principal contribution of the work lies in his argument that energy flows play a central role in the maintainance of economic and socio-political stability. Homer-Dixon’s exploration of the role of energy in the collapse of previous political institutions is rather novel and deserves serious consideration.

Moreover, Homer-Dixon has a rare talent for weaving advances in the natural sciences into the policy literature and communicating advanced concepts to the reader with clarity and precision. His discussions of complexity, emergent properties, and panarchy are particularly illuminating. A wonderful read.

Reflecting in the fog (2007-08-24)
The key question in this book is raised in the very middle: “Why don’t we face reality?” A major reason is that we are groping in a fog to learn what that reality is. Homer-Dixon likens our society to a driver careering along a country road in a dense fog. We can barely see what’s ahead, but we’re somehow confident that no mishap will befall us. We’ve gotten this far safely. As we drive, we’re guided by the mantra of “endless economic growth”. We have some idea where we’ve been, but remain uncertain about what lies ahead. Worse, we don’t seem to care. Ignoring the warning signs indicating that all might not be well we continue along our course. In this excellent study of how our society is progressing and where it’s likely going, the author clearly outlines the various options before us and what actions we can take to prevent serious disruptions.

The book is a call for preparation. Resilience is what our outlook and our policies should undertake to prevent disasters that we cannot handle. Having observed and reflected on these issues for several years, Homer-Dixon concludes that major difficulties lie ahead. We cannot avoid them - they’re already here or loom in the near future. He lists some of the obvious ones: terrorism is now a part of life, climate change beyond our experience is already with us, and economic and social disruption causes have already been pinpointed. His model used as the basis of assessment is the Roman Empire. He cites three examples of what the Empire accomplished, the Colosseum, the road and aqueduct networks and the Temple of Jupiter at Baalbek, Lebanon. All these enterprises required immense amounts of energy, yet a society without engineering schools achieved them all successfully. It worked only so long as the energy was available and applied efficiently. Our schools taught us that the Romans built their imperium on slavery, but Homer-Dixon shows that concept to be false. Oxen pulled the 256 carts of material required by the Colosseum and free peasant farmers supplied the basic energy needs. The Empire collapsed only when the energy required failed. We need to understand what can be learned from that Empire offer, and Homer-Dixon demonstrates how pertinent the lessons are today.

The author’s formula for assessment is EROI - Energy Return On Investment. We’ve been profligate in energy use, and it’s future availability is a major concern of the his. “Peak oil” has been the topic of so many books and articles, it should be old news. The author notes how the petroleum industry and those dependent on it keep up a continuous barrage of denial propaganda to discourage us from believing that evident fact. The “globalised” economy was supposed to reduce the distinction between rich and poor. Not only is it having the opposite effect, but it’s increasing the consumption of energy in the process. While a number of recent books stress the threats posed by environmental change, Homer-Dixon sees that as but one element in a far larger picture. He deals with a full range of pressures building up to threaten society. He likens them to tectonic stresses likely to snap unexpectedly at any time.

Unlike some books making forecasts or offering timetables of potential catastrophe, Homer-Dixon’s more circumspect. He’s more concerned with demonstrating that the kinds of “growth” we’ve experienced cannot endure. What and when surprise setbacks occur is of less importance to him than how we adjust to them. He’s not addressing a small coterie of “movers and shakers” with this work His prose style is just short of that of a story-telling narrative. He means for all of us, taxpayers, policy-makers and even academics and scientists, to participate in the development and preparation of new sets of options for survival. We will all be effected by the unfolding events. While this may seem that the author’s “Down” is inevitable and final, he prefixed it with “Upside” for a reason. His opening depicts the destruction of a city - San Francisco in the 1906 earthquake and fire. The city didn’t collapse and die, but recovery meant a new approach to disaster planning. We must follow that example, or our collapse will be more severe. It will be global and possibly all-consuming. [stephen a. haines - Ottawa, Canada]Required Reading for all Who Care About the Planet (2007-07-05)
This brilliant, courageous, inspiring, multidisciplinary book unflinchingly examines the ominous, ever increasing tectonic pressures–population imbalances, energy shortages, environmental damage, global warming, and the widening gaps between rich and poor–that threaten to disrupt, if not topple, civilization.

Historical, ecological, political, economic, scientific, sociological and psychological threads are woven together in a fascinating, extremely readable analysis of the mess we are in, how we got here, what we can expect in the future, and what we can do about it.

Homer-Dixon does not provide magic bullet solutions to our problems because, in fact, none exists. He does, however, suggest four important actions, including boosting the overall resilience of our civilization, especially critical systems like energy and food distribution. Most importantly, he stresses the cultivation of the prospective mind, which includes an openness to radically new ways of thinking about our world and about how we should live our lives.

The author states that “when a social earthquake erupts–when the established order starts to crack and crumble–much depends on what happens in the period immediately following the initial shock.” A mega-crisis has the potential to jolt people awake from their social conditioning, and can bring out the very worst or the very best in people. Homer-Dixon tells us to prepare for that moment, so the forces of reason, tolerance and compassion will prevail.

This book is not for those wanting to pretend that band-aide solutions from corporate-owned politicians will save us. This book is a zen-like slap in the face designed to zap denial, and awaken prospective, creative intelligence, so that bold new solutions to our planetary problems can emerge.

If I could, I would make The Upside of Down required reading for everyone on the planet. When it comes to defining the global crisis, it is by far the best of the following related books which I’ve recently read:

James Howard Kunstler, The Long Emergency: Surviving the End of Oil,

Climate Change, and Other Converging Catastrophes of the Twenty-

First Century (2006)

Stephen Leeb, The Coming Economic Collapse (2006)

Chalmers Johnson, Nemesis: The Last Days of the American Republic (2006)

Sir Martin Rees, Our Final Hour: A Scientist’s Warning (2003)

David Korten, The Great Turning: From Empire to Earth Community (2006)

Bill McKibben, Deep Economy: The Wealth of Communities and the Durable

Future(2007)

Raine Eisler, The Real Wealth of Nations: Creating a Caring Economics

(2007)

Jerry Mander & John Cavanagh, Alternatives to Economic Globalization

(2004)

Paul Hawken, Blessed Unrest: How the Largest Movement in the World Came

into Being and Why No One Saw it Coming (2007)

Lester Brown, Plan B2.0: Rescuing a Planet Under Stress and a

Civilization in Trouble(2006)

Paul & Anne Ehrlich, One With Nineveh: Politics, Consumption and the

Human Future(2004)

 

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The Upside of Down: Catastrophe, Creativity, and the Renewal of Civilization

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